- Age 1~Age 99
- Within 1 hour
- 11:00 / 12:00 / 13:00 / 14:00 / 15:00 / 16:00
Let's paint a cute daruma with colon! Of course, you can also write your favorite kanji and words. Children as well as their families can enjoy it, so stop by when you wake up to Asakusa.
- Age 5~Age 100
- 1~2 hours
- 10:00 / 14:00
Why don't you paint on a hand towel or an original crimped shirt? You can freely draw what you imagined, draw using the sketches in our shop, or create your own original dish. The work can be washed, so the washcloth can be used not only as an interior but also as a towel. It is one of the pleasures to walk in the city wearing an original shirt. In the shop that has been renovated Kyomachiya, please have a brush and enjoy a leisurely creative time. Flow of plan 1 Greetings, how to use the brush Explanations(5 minutes) 2 paper sketches & practice (10 minutes) (For foreigners Sun A calligraphy experience in which you write your name in the main language. Please take it home as a work. ) Let's draw on 3 fabrics! Combine your favorite color (40 minutes) 4We do heat treatment and give work on the spot (5 minutes)
- Age 6~Age 100
- 1~2 hours
- 10:30 / 13:30 / 15:00
Nice to meet you, Kadoyama Ceramics. Founded in Meiji 16 Year we strive to make products that are painted by hand and painted by hand.
- Age 6~Age 100
- Within 1 hour
It is a pottery experience of painting and painting your favorite picture on a unglazed dish. There is no need to knead the soil, so even small children can experience it. It is a plan that is perfect for making works of memories. You can enjoy it with your family.
- Age 12~Age 99
- 3~4 hours
- 10:00
A painting experience in nature. Mr. Kengo Ukita of Ukita Kiln has a history of attending a design school in Tokyo after training at Tokuda Yasokichi Pottery. The pottery-making environment that he obtained after moving from the Komatsu Airport area is a source of playful inspiration. The natural and tranquil environment around the studio, the view of greenery that jumps out from the window of the work desk, and the occasional music session with friends in the gallery. The pop style of Mr. Ukita's works inspired by them has a familiarity and warmth that is somewhat different from the classic motifs associated with the word "Kutani ware". In the GEMBA program, under the guidance of Mr. Ukita, you can experience overglaze painting from sketching a rough sketch in the backyard. The overglaze painting experience, which starts with a sketch surrounded by greenery, is a unique and valuable experience. *For foreign nationals: Information on the day will be in Japanese only.
- Age 16~Age 99
- 1~2 hours
- 10:00 / 14:00
The back side of the colorful color. Among the many "traditions" and "evolutions" of Nishikiyama kiln, there are many fans in the world view and charm of the work, and we pursue "Kinrande" works using gold leaf that we create independently. Kinrande kiln. The second generation owner, Minori Yoshita, is widely known as a living national treasure of Kutani ware. In this program, you can see the inquisitive spirit transmitted to the Nishikiyama kiln and experience a part of it in order to demonstrate the creativity that can be said to be a transcendental technique that looks very profane. Nishikiyama kiln with a history of over 100 years. In addition to traditional techniques, we are also working on new things in the face of the big question, "How will we deliver it in the next 100 years?" We will review traditional techniques, search for a way that is suitable for our current life, and train the staff of the kiln. Nishikiyama kiln manufacturing aims to integrate tradition and innovation. "Kinrande" Kinrande refers to the decorative technique of fixing gold on colored ceramics and its works. Beginning with the Song dynasty in China, it flourished from the Ming dynasty to the Qing dynasty. In Japan, the Kinrande appeared from the Genroku era of Edo, using the Ming dynasty's Jingde Town kiln as an example, and it resembled the "Kinrande" woven fabric woven with gold thread and cut gold leaf, so it came to be called by this name in Japan. rice field. There are techniques such as "drawing gold" to draw a line with gold paint, "swinging gold" to scatter gold powder, and "pasting gold" to paste gold leaf. * For foreign nationals: Information on the day will be in Japanese only.
- Age 13~Age 99
- 1~2 hours
- 10:00 / 14:00
The back side of the colorful color. Among the many "traditions" and "evolutions" of Nishikiyama kiln, there are many fans in the world view and charm of the work, and we pursue "Kinrande" works using gold leaf that we create independently. Kinrande kiln. The second generation owner, Minori Yoshita, is widely known as a living national treasure of Kutani ware. In this program, you can see the inquisitive spirit transmitted to the Nishikiyama kiln and experience a part of it in order to demonstrate the creativity that can be said to be a transcendental technique that looks very profane. Nishikiyama kiln with a history of over 100 years. In addition to traditional techniques, we are also working on new things in the face of the big question, "How will we deliver it in the next 100 years?" We will review traditional techniques, search for a way that is suitable for our current life, and train the staff of the kiln. Nishikiyama kiln manufacturing aims to integrate tradition and innovation. "Kinrande" Kinrande refers to the decorative technique of fixing gold on colored ceramics and its works. Beginning with the Song dynasty in China, it flourished from the Ming dynasty to the Qing dynasty. In Japan, the Kinrande appeared from the Genroku era of Edo, using the Ming dynasty's Jingde Town kiln as an example, and it resembled the "Kinrande" woven fabric woven with gold thread and cut gold leaf, so it came to be called by this name in Japan. rice field. There are techniques such as "drawing gold" to draw a line with gold paint, "swinging gold" to scatter gold powder, and "pasting gold" to paste gold leaf. * For foreign nationals: Information on the day will be in Japanese only.
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