- Age 3~Age 100
- Within 1 hour
- 10:00 / 11:00 / 12:00 / 13:00 / 14:00 / 15:00 / 16:00
Choose your favorite plaster Shisa and paint it colorfully with paints. This is an easy and casual painting course that is very popular with children. Your favorite small and cute plaster Shisa (medium) or large and impressive plaster Shisa (large) will come alive with your paints.
今回初めて体験させて頂いたんですが、店員さんの方の対応が悪くて気分が悪くなりました! 入り口でどこに行けばいいか分からず立っていたのに、誰1人店員さんが声もかけてくれず真横を通っても気づいているはずなのに誰も声をかけてくれずムカつきました。 カウンターの方に行くとすぐ来ましたが、入り口で困っていたのに話しかけてくれないのはどうかと思います! シーサーの色塗りも詳しく説明もしてくれず、一緒に行った友達も困っていました。 次回沖縄に行ったときには利用したくないと思いました。 忙しいのは分かりますが、しっかり説明をしていただきたかったです。
- Age 10~Age 100
- 2~3 hours
- 10:00 / 11:00 / 12:00 / 13:00 / 14:00 / 15:00
Okinawa Real pottery using red soil Shisa-lion making Let. It takes about a month and a half to bake and deliver a full-fledged pottery Sesar with attention to details such as facial expressions, coats and patterns. It is a high-strength pottery sheather of a size suitable for outdoor installation.
素焼きの本格的なシーサーをつくりたくて利用しました。目的どおりの体験ができて満足です。焼き上げる必要があるので、体験日に制作した作品を持ち帰ることはできません。了解のうえで利用しました。作品が送られてくる目安や、焼き上げる過程の情報がもっとあるとよいかと思います。制作過程はかなり難しく時間もかかります。正味で5時間程度かかりました。4時間から6時間くらいはかかると思います。ほぼ半日です。時間がかかるのは希望しての申込なので不満ではありません。最終仕上げで螺髪をつけていくのですが、細かい作業で時間をとられるので作業を簡略化できる工夫があるとよいかと思います。最終工程なのでつくったシーサーには愛着もわいており、ちゃんとした螺髪をつけたいとの想いにもなりますが、終盤で疲れてくるし次の予定も気になり焦ってきます。参加した方の好みによって螺髪の形状や大きさが異なるので難しいところはあるかと思いますが、幾種類かの螺髪の押し型が準備されていると作業が楽かなと思います。焼き上げる際に誰がつくったものかわかるようにだと思いますが、シーサーに日付と製作者のサインを入れることが求められます。さらに制作したシーサーの似顔絵とつけたサインを用紙に書くようにも言われます。できれば、足の裏にLotナンバー的なスタンプをおして、デジカメの画像と組み合わせるなど工夫をしていただけるとありがたいです。
- Age 6~Age 100
- Within 1 hour /1~2 hours
- 10:00 / 11:00 / 12:00 / 13:00 / 14:00 / 15:00
More than 50 kinds of Ryukyu glass Yachura glass, glass container, select the container from such as picture frames, is the experience plan of glass art to draw your favorite characters and pictures in 13 different color. Work of stained glass wind taking advantage of the transparency of the glass is easy to make on your own. Because I design also available, such as also Schiesser and hibiscus wondering what to try to draw, please enjoy with confidence.
- Age 3~Age 100
- Within 1 hour
- 10:00 / 11:00 / 12:00 / 13:00 / 14:00 / 15:00 / 16:00 / 17:00
This is an experience plan for making accessories with a Shisa that can be easily made in about 40 minutes. Once you have chosen the shape of the Shisa you like, you can color it as you like and make it into an accessory. Once completed, you can take it home with you on the same day, so feel free to wear it as is. You can easily stop by and experience it in between sightseeing.
- Age 3~Age 100
- Within 1 hour
- 10:00 / 11:00 / 12:00 / 13:00 / 14:00 / 15:00 / 16:00 / 17:00
Recommended for those who say "I want a souvenir of Sesar's souvenirs, but it will be difficult to make it in earnest." You can choose your favorite shape from different ones by the staff of the studio, and enjoy painting with your favorite color. To remember, Okinawa It is also a memory of the trip, even if it is a tropical style colorful Sesar that is perfect for the image of.
9歳と7歳の子供に体験させました。 すごく楽しかったようです。 うちの子が不器用なのか意外に時間がかかり、2時間ぐらいかかりました。 出来ても乾かさないといけないので、時間に余裕を持たせた方がいぃと思います。
- Age 8~Age 100
- 1~2 hours
- 10:00 / 11:00 / 12:00 / 13:00 / 14:00 / 15:00
Okinawa After all it is Shisa to remember! Figurine Shisa-lion making “Made and baked using clay. There is also a plan to paint at the end. On the day You can take it home. Southern country Okinawa Every time you see a Shisa decorated in your room Okinawa The memories of travel will be revived.
シーサーつくり・絵付けを行ったのですが、説明は10分程度のビデオで、作成中もたまに様子を見ていただいて最後に丈夫かどうかの確認をしてもらう程度だったので、のびのびと自分の好きにつくれてよかったです。見本もたくさんあってイメージの助けになりました。
- Age 3~Age 100
- Within 1 hour
- 10:00 / 13:00 / 14:30
Decorating experience, cup, mug, choose the one you like from among the pottery that was 10 kinds of biscuit, such as rice, tea bowl, is a plan where I am writing your favorite pictures and letters in the paint.
- Age 10~Age 80
- 2~3 hours
- 10:00
Painting experience in Ginza, Tokyo / Experience painting "Red Fuji" and "Wave Fuji" from Katsushika Hokusai's famous painting series [36 Views of Mount Fuji] on a plate. Using Kutani paints (Japanese paints) on a Kutani white porcelain plate, you will create a beautiful, authentic Japanese-style masterpiece! *By using original outline transfer paper as a base, even complete beginners can create high-quality works in a short amount of time. After a lecture on how to use and paint with Japanese paints in the first 30 minutes and practicing, you will finish your work in about 2 hours. Why not have fun, but concentrate seriously and paint a masterpiece of Japanese traditional culture?
- Age 16~Age 99
- 1~2 hours
- 10:00 / 14:00
The back side of the colorful color. Among the many "traditions" and "evolutions" of Nishikiyama kiln, there are many fans in the world view and charm of the work, and we pursue "Kinrande" works using gold leaf that we create independently. Kinrande kiln. The second generation owner, Minori Yoshita, is widely known as a living national treasure of Kutani ware. In this program, you can see the inquisitive spirit transmitted to the Nishikiyama kiln and experience a part of it in order to demonstrate the creativity that can be said to be a transcendental technique that looks very profane. Nishikiyama kiln with a history of over 100 years. In addition to traditional techniques, we are also working on new things in the face of the big question, "How will we deliver it in the next 100 years?" We will review traditional techniques, search for a way that is suitable for our current life, and train the staff of the kiln. Nishikiyama kiln manufacturing aims to integrate tradition and innovation. "Kinrande" Kinrande refers to the decorative technique of fixing gold on colored ceramics and its works. Beginning with the Song dynasty in China, it flourished from the Ming dynasty to the Qing dynasty. In Japan, the Kinrande appeared from the Genroku era of Edo, using the Ming dynasty's Jingde Town kiln as an example, and it resembled the "Kinrande" woven fabric woven with gold thread and cut gold leaf, so it came to be called by this name in Japan. rice field. There are techniques such as "drawing gold" to draw a line with gold paint, "swinging gold" to scatter gold powder, and "pasting gold" to paste gold leaf. * For foreign nationals: Information on the day will be in Japanese only.
- Age 13~Age 99
- 1~2 hours
- 10:00 / 14:00
The back side of the colorful color. Among the many "traditions" and "evolutions" of Nishikiyama kiln, there are many fans in the world view and charm of the work, and we pursue "Kinrande" works using gold leaf that we create independently. Kinrande kiln. The second generation owner, Minori Yoshita, is widely known as a living national treasure of Kutani ware. In this program, you can see the inquisitive spirit transmitted to the Nishikiyama kiln and experience a part of it in order to demonstrate the creativity that can be said to be a transcendental technique that looks very profane. Nishikiyama kiln with a history of over 100 years. In addition to traditional techniques, we are also working on new things in the face of the big question, "How will we deliver it in the next 100 years?" We will review traditional techniques, search for a way that is suitable for our current life, and train the staff of the kiln. Nishikiyama kiln manufacturing aims to integrate tradition and innovation. "Kinrande" Kinrande refers to the decorative technique of fixing gold on colored ceramics and its works. Beginning with the Song dynasty in China, it flourished from the Ming dynasty to the Qing dynasty. In Japan, the Kinrande appeared from the Genroku era of Edo, using the Ming dynasty's Jingde Town kiln as an example, and it resembled the "Kinrande" woven fabric woven with gold thread and cut gold leaf, so it came to be called by this name in Japan. rice field. There are techniques such as "drawing gold" to draw a line with gold paint, "swinging gold" to scatter gold powder, and "pasting gold" to paste gold leaf. * For foreign nationals: Information on the day will be in Japanese only.
- Age 12~Age 99
- 3~4 hours
- 10:00
A painting experience in nature. Mr. Kengo Ukita of Ukita Kiln has a history of attending a design school in Tokyo after training at Tokuda Yasokichi Pottery. The pottery-making environment that he obtained after moving from the Komatsu Airport area is a source of playful inspiration. The natural and tranquil environment around the studio, the view of greenery that jumps out from the window of the work desk, and the occasional music session with friends in the gallery. The pop style of Mr. Ukita's works inspired by them has a familiarity and warmth that is somewhat different from the classic motifs associated with the word "Kutani ware". In the GEMBA program, under the guidance of Mr. Ukita, you can experience overglaze painting from sketching a rough sketch in the backyard. The overglaze painting experience, which starts with a sketch surrounded by greenery, is a unique and valuable experience. *For foreign nationals: Information on the day will be in Japanese only.
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