- Age 1~Age 100
- 1~2 hours
- 09:00 / 14:00
You can experience sketching with a brush and paint on unglazed dough. If you experience a surprisingly difficult brush stroke, you will be amazed by the craftsman's technique and will surely be fascinated by the delicacy of the pattern! Please enjoy the atmosphere of a long-established factory! ◆ Recommended points of this plan ◆ Did you know that there are two types of "painting" in one word? One is overpainting. It is a method of coloring the baked bowl. This method is generally called porcelain. And the other is sketching. I will draw with a brush and paint on a unglazed vessel. It is surprisingly difficult to draw a thin line because it requires delicacy and attention, but if you make a draft with a pencil or if you make a mistake, you can scrape it with a bamboo spatula. Work on it for an unlimited amount of time.
- Age 6~Age 99
- 1~2 hours
- 10:00 / 11:30 / 13:30 / 15:00
In this program, while receiving lectures from traditional Kutani ware craftsmen and instructors, you can experience painting with Kutani Gosai (green, yellow, dark blue, purple, red) on a white base baked in a Miyayoshi pottery kiln. We will tour the factory. * For the second and subsequent times, if you wish, you can shift the factory tour time to painting time. ~ Flow of the day ~ 9:50 Meeting / Reception Explanation of Miyayoshi Ceramics 10:00 Site tour (10 minutes) Tour of the manufacturing site of various materials such as potter's wheel and other casting. 10:10 Overpainting experience (50 minutes) While receiving lectures and follow-ups from the traditional craftsmen and instructors of this kiln, you will be asked to draw with the overpainting paint according to the drawings you designed in advance!
- Age 6~Age 99
- 2~3 hours
- 09:00 / 14:00
Enjoy Kutani and the stylish tradesman culture in a retro-modern townhouse. Komatsu's old town area was formed around Komatsu Castle, which used to be here. The artist, Yukio Uchida, is the only artist in this area where the stylish tradesman culture, including Kabuki and Hikiyama, still remains, and is the only person involved in the production of Kutani ware. He is also the owner of "Toraya Ceramics Store", which has a store in a renovated building of the traditional architectural style "Komatsu Machiya". In this program, under the guidance of Mr. Uchida, Kutani ware painting of "Kutani style" will be performed in a retro-modern Komatsu Machiya. After the experience, enjoy the many furnishings and tasteful atmosphere stored in the tea room with all five senses while tasting the matcha tea that Mr. Uchida himself makes in the tea room. * For foreign nationals: Information on the day will be in Japanese only.
- Age 1~Age 99
- Within 1 hour
- 11:00 / 12:00 / 13:00 / 14:00 / 15:00 / 16:00
Let's paint a cute daruma with colon! Of course, you can also write your favorite kanji and words. Children as well as their families can enjoy it, so stop by when you wake up to Asakusa.
- Age 3~Age 100
- 1~2 hours
- 10:00 / 11:00 / 12:00 / 13:00 / 14:00 / 15:00 / 16:00
The painting experience class is a class where you can experience by extracting the "painting" process of attaching a pattern to the base kit (things that have been unglazed) in the process of making ceramics. It is a simple plan and recommended for anyone.
- Age 16~Age 99
- 1~2 hours
- 10:00 / 14:00
The back side of the colorful color. Among the many "traditions" and "evolutions" of Nishikiyama kiln, there are many fans in the world view and charm of the work, and we pursue "Kinrande" works using gold leaf that we create independently. Kinrande kiln. The second generation owner, Minori Yoshita, is widely known as a living national treasure of Kutani ware. In this program, you can see the inquisitive spirit transmitted to the Nishikiyama kiln and experience a part of it in order to demonstrate the creativity that can be said to be a transcendental technique that looks very profane. Nishikiyama kiln with a history of over 100 years. In addition to traditional techniques, we are also working on new things in the face of the big question, "How will we deliver it in the next 100 years?" We will review traditional techniques, search for a way that is suitable for our current life, and train the staff of the kiln. Nishikiyama kiln manufacturing aims to integrate tradition and innovation. "Kinrande" Kinrande refers to the decorative technique of fixing gold on colored ceramics and its works. Beginning with the Song dynasty in China, it flourished from the Ming dynasty to the Qing dynasty. In Japan, the Kinrande appeared from the Genroku era of Edo, using the Ming dynasty's Jingde Town kiln as an example, and it resembled the "Kinrande" woven fabric woven with gold thread and cut gold leaf, so it came to be called by this name in Japan. rice field. There are techniques such as "drawing gold" to draw a line with gold paint, "swinging gold" to scatter gold powder, and "pasting gold" to paste gold leaf. * For foreign nationals: Information on the day will be in Japanese only.
- Age 13~Age 99
- 1~2 hours
- 10:00 / 14:00
The back side of the colorful color. Among the many "traditions" and "evolutions" of Nishikiyama kiln, there are many fans in the world view and charm of the work, and we pursue "Kinrande" works using gold leaf that we create independently. Kinrande kiln. The second generation owner, Minori Yoshita, is widely known as a living national treasure of Kutani ware. In this program, you can see the inquisitive spirit transmitted to the Nishikiyama kiln and experience a part of it in order to demonstrate the creativity that can be said to be a transcendental technique that looks very profane. Nishikiyama kiln with a history of over 100 years. In addition to traditional techniques, we are also working on new things in the face of the big question, "How will we deliver it in the next 100 years?" We will review traditional techniques, search for a way that is suitable for our current life, and train the staff of the kiln. Nishikiyama kiln manufacturing aims to integrate tradition and innovation. "Kinrande" Kinrande refers to the decorative technique of fixing gold on colored ceramics and its works. Beginning with the Song dynasty in China, it flourished from the Ming dynasty to the Qing dynasty. In Japan, the Kinrande appeared from the Genroku era of Edo, using the Ming dynasty's Jingde Town kiln as an example, and it resembled the "Kinrande" woven fabric woven with gold thread and cut gold leaf, so it came to be called by this name in Japan. rice field. There are techniques such as "drawing gold" to draw a line with gold paint, "swinging gold" to scatter gold powder, and "pasting gold" to paste gold leaf. * For foreign nationals: Information on the day will be in Japanese only.
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